00:00 Intro
00:30 What projects did you do or would be interesting to show?
02:58 What would you say about the evolution from the past to the future of virtual concerts?
10:18 What are the advantages of the virtual concert?
17:01 What do you think is the future of socializing in virtual reality?
20:01 What do you think about the evolution in social terms?
24:40 There will be a massification of your VR hardware and everyone will be able to access that?
28:07 What do you think about the link between VR and cryptos or NFTs?
33:16 What’s your next project?
Louis Cacciuttolo is the founder of VRrOOm, a social XR hub dedicated to the live streaming and 6DoF broadcasting of artistic performances, gamified narrative works and live shows, working with international artists such as Jean-Michel Jarre and festivals like the Venice Biennale or South by Southwest.
VRrOOm is now launching a proprietary metaverse platform aimed to artists, producers, festivals organizers or cultural venues so they can directly meet their audiences and monetize all types of cultural events in live and replay formats.
Louis worked as Vice-President of THX, a George Lucas company specialized in cinema technology.
He was the owner of the Théâtre du Minotaure in Béziers from 1999 to 2020. He is also a screenwriter, director, and producer of awarded films including the feature Cendre in 2014, and the animated short interactive VR film The Last Footprint in 2016. He co-produced the AR installation Digitalis, a participative work by artist Pierre Estève, adapted in augmented interactive audio, which premiered at Stereopsia Brussels in 2019.
Session hosted by:
Yingzi Yuan / https://www.linkedin.com/in/yuanyingzi/